In 1964, as Chairman Mao was preparing for the Cultural Revolution, Te Wei was placed in solitary confinement for a year. To keep his spirits up, he would sketch on the glass pane of a table, erasing his drawings whenever he heard a guard approaching. After returning to the studio in 1975, he produced some of his most acclaimed, experimental work.
Feeling from Mountain and Water uses Shan shui painting style, a brush and ink technique originating in 5th century China. Te Wei was influenced by the painter, Qi Baishi who used heavy ink, bright colours and vigorous strokes to express his love of nature and life.